17 year-old Dylan Kulmayer released his first album last week, here’s what Dom Kureen thought of the American born, Isle of Wight based rapper’s debut LP.
Destined to hook hip-hop fans tightly from the start, the debut album of 17-year old Dylan Kulmayer (aka: DRK), Retroverted Propulsion, leaves little debate as to from whom the major artistic influence has been acquired, with later references confirming that Eminem was a pivotal inspiration in the diction development of the talented native of Virginia, USA.
That acknowledged, this is far from a parody of ‘Slim Shady’, with the storied evolution of a fresh, cerebral orator progressing over the course of seven singles and three skits.
The first prominent feature of the album is in its slick production, something that sets it apart from a gaggle of other Isle of Wight compilations and speaks volumes for the dedication the rapper has to his craft.
Better still, in the shape of the decadent Highschoolhood the LP has a ready made hit. An engaging tune provides strong foundation for DRK to work with, nevertheless it is the energy of his wistful frustration at perceived creative castration from a stifled academic system that most compellingly engages the audience.
Lyrically even that Tour de Force is marginally trumped by the brutally honest, undoubtedly cathartic To Be A Success, a track fuelled by pop-culture references, directly affecting society and, as a consequence, the artist.
It is easy to forget that DRK isn’t long off the teat when getting lost in the lyrics of ‘Training Day.’ One inspired burst reveals: “I’m Nostradamus, not predicting comets, but approximating my chance of making it as an artist.”
So lyrically tight is the majority of the album that it does necessitate a few listens to truly gather in all the information and appreciate the relentless unloading – not that this is a negative, with the catchy landscape of the melodies another facet in common with Mr Mathers’ embryonic solo output.
As regular readers of Kureen’s reviews are aware, we pride ourselves on being authentic and not pulling any punches, particularly when it comes to the rap genre, as we’re huge fans of the scene.
Even so, it’s difficult to pick holes in this release. If there is one minor flaw it might be the slightly tiresome chorus of You Got It, but even that is offset by the regularly captivating concepts of a teenage musician who already warrants a grander stage.
Until that day arrives the Isle of Wight is his oyster and it’s clear that these are merely the initial acts of what is likely to unfold into an exciting career.
Retroverted Propulsion provides a stunning launchpad for Dylan Kulmayer, in the words of Fort Minor: Remember The Name.