In the final of our Ventnor Arts Festival reviews, Dom Kureen shares his opinion of American comedian Rich Hall’s sold out marquee stage performance.
The dry, caustic wit of Rich Hall, a humorist synonymous with English panel shows such as ‘Q.I’ and ‘Eight Out of Ten Cats,’ was immediately evident amid an opening broadside at cheese manufacturers Kraft and their hostile takeover of Cadbury.
Transitioning neatly into politics, the real life Moe Szyslak referred to Mitt Romney and Newt Gingrich as a couple of glove puppets, consequently shifting his attention to Nick Clegg and David Cameron (“The key cutter and the shoe maker at a struggling Cobblers!”)
Some tongue-in-cheek contrasts between British and American customs were followed by an uproarious skit relating to the trials and tribulations of the world’s greatest trampolinist, Alexandre Moskalenko, who, despite years of dedicated endeavour, still probably doesn’t get noticed in his own neighbourhood.
Encouraging audience participation, Hall chatted to ‘Andy,’ a rose grafter (no, me neither) whose story warranted an ad-libbed ditty, replete with catchy guitar riff.
That breakneck train of thought proved a pivotal weapon in the armoury, with some other members of the front row less forthcoming when spoken to, although a couple of the on-the-spot compositions admittedly fell a little flat.
The variety and authentic warmth of the comedian’s act should guarantee that no two shows are quite the same on this latest sojourn across the British Isles.
More valuably, Hall’s impish aura, which never broached guttural, indicated that there was enough edgy material in reserve to keep things diverse.
A highly amusing parody of a modern day Bob Dylan concert wrapped up his Isle of Wight leg of the tour agreeably, with bounteous guffaws emanating from all corners of the temporarily erected canopy.
The £16 admission fee was a bargain for a terrific night of comedy.