Jonathan O’Shea continues his pursuit of musical perfection with November’s instalment of his ever expanding playlist – this one features Weezer, but there isn’t an inhaler in sight…
Don’t Breathe Out – Roots Manuva
A soul-stirring sample of portly baritone Barry White’s ‘Honey Please, Can’t Ya See’ forms the unlikely bedrock of this gloriously gospel-tinged track. The orchestral intro to the Walrus of Love’s slightly sickly love letter morphs into something altogether more mystical and compelling under the spell of Stockwell’s philosophical wordsmith, Roots Manuva.
The king of – as he says in the song’s opening throes – ‘twist and adapt’, Roots uses his undimmed gift for vivid imagery to full effect. From his self-proclaimed ‘pulpit’ he delivers a flowing sermon about holding onto a ‘golden breath’ and uplifting invocations of the ‘new black Jesus’. It’s a return to familiar (but fertile) ground for an artist more concerned with espousing his idiosyncratic version of spirituality than figuring out his current place in the UK hip-hop firmament. But Rodney Smith’s trademark humour isn’t entirely absent: with talk of ‘hide the salami’ and ‘flopping it out’ prompting an adolescent grin.
One of his most lyrically potent moments of recent years, ‘Don’t Breathe Out’ is the third single release from Roots Manuva’s sixth studio album, Bleeds, which saw the light of day just last week.
Thank God for Girls – Weezer
Already this new Weezer track has been interpreted by some imaginative souls as a ‘feminist anthem’, which might be pushing it a bit seeing as the major female role in Rivers Cuomo’s latest verbose rock anthem is a cannoli-maker. Instead, it’s less Taylor Swift girl-power-pop, more middle-aged rock-band paean to women from a particularly male perspective.
God grinding up and microwaving Adam’s rib ‘on the popcorn setting’ is just one of many offbeat images from a song packed with reasons to bow before the fairer sex, while the middle verse focuses on the desperate protagonist’s longing for a deliciously distant femme from an underwear catalogue.
Some of the indie veterans’ more recent output has been bordering on the execrable, so the zippy, infectious ‘Thank God For Girls’ indicates a promising return to form, coming in the slipstream of last year’s ‘Everything Will Be Alright In The End’ LP. The single’s cover art, featuring Pope Francis sharing convivialities with adoring female fans, is an instant classic-in-the-making too.
Persephone Dreams – NCZA Lines
Undeniable under (and over) tones of south coast synth-stars Metronomy should come as no surprise on ‘Persephone Dreams’, given that NCZA Lines provided the support on their UK tour last year. Singer and lyricist Michael Lovett is also a self-declared fan of R&B royalty Aaliyah, Ciara and Bajan bottom-barer, Rihanna; though those influences are felt very distantly here.
His electro-pop stylings first caused a stir when an eponymous debut album arrived in 2012, full of silky falsettos and sophisticated sci-fi imagery. Since then, one-time indie band bassist Lovett has been joined by ex-Ash guitarist Charlotte Hatherley and Hot Chip collaborator Sarah Jones. Their influence has evidently brought about some subtle changes which can be heard on this new single. Intriguingly, the slinky six-minute semi-epic breaks into a sort of steel drums vs synths battle half way through, but carries such implausible sonic adventures off in rare style.
NCZA Lines will be on the bill at the Moshi Moshi label’s new By The Sea festival at Dreamland theme park in Margate, on Nov 13th. An eagerly awaited new album, ‘Infinite Summer’, follows on January 22.
Also recommended this month
Breaker – Deerhunter https://www.youtube.com/watch?v=UCVWrqxyt3Y
In My Eyes – Best Coast https://www.youtube.com/watch?v=lhGwARswL_o
Machine – Euros Childs http://www.bbc.co.uk/music/records/n3cjm9
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