Tag Archives: Pretty

Interviews with Creative Minds. No.21: Chris Brennan

Chris Brennan is the guest on the 21st edition of Interviews with Creative Minds.

21 today! This 21st edition of the Creative Minds podcast series features an interview with Chris Brennan, plus music from Unravellings and Pretty Censored, along with a rap intro straight outta Compton (Bay).

The Links

–> Custom website <–

–> Unravellings on SoundCloud <–

–> Pretty Censored YouTube interview <–

–> Gary Yourofsky talk <–

–> Cowspiracy trailer <–

–> Forks Over Knives trailer <–

Written by Dom Kureen

As a young rapscallion stranded on an Island, my time is split between writing, performing spoken word, wrestling alligators and delivering uplifting pep talks to hairdressers before they prune me. I meditate and wash daily when possible.

Isle of Wight Festival 2014. Part Two: Main Stagers

The 2014 Isle of Wight Festival’s improved ticket sales were largely contingent on the announcement of The Red Hot Chili Peppers, who headlined Saturday night on the main stage.


It was unfortunate therefore, that the Los Angeles based funk-rockers hit the stage more than 20 minutes belatedly and produced a so-so set with little crowd interaction.

Lead singer Anthony Kiedis sporadically took his customary leave of absence from the stage, compelling his supporting cast to produce a scattered selection of instrumental solos that were hit and miss over the course of the one and a half hour set.

In spite of those frustrating elements, there was undeniably a main event feel about the band’s presence, an A-List aura that comes with decades of successful output.


The Kings of Leon managed to get everyone bobbing and weaving on Sunday night when they played “Sex on Fire” as part of their encore.

The three Followill brothers (and one Followill cousin) had their moments, although ultimately their gritty guitar shredding gradually wore down spectators and felt as if they were just going through the motions, like a karaoke album of Kings of Leon cover versions!

This is the second time in recent years that the quartet have been booked at the head of the Isle of Wight bill and the second time that they’ve been ok, never exhibiting the showmanship to pull up too many trees in their drawn out bouts of southern-rock stodge that rely too heavily on a few prominent single releases.

One band that did exceed most expectations were the spectacular Pretty Reckless, whose lead lady Taylor Momsen lived up to her post-grunge rocker billing with a series of f-bomb garnished observations between tracks, a welcome variation from the usual benign chit-chat bands feel obliged to spout and in stark contrast to the hesitance of the top-line acts here.

One of the most memorable main stage performances came courtesy of Matt Healy fronted quartet The 1975, who played everything from their self titled debut album, as well as a few less heralded compositions.


Pumping out a divine concoction of passion and melancholy, the Cheshire based indie pop-rockers weren’t lacking in confidence or charisma.

A slimline Boy George fused reggae with old school pop to delight early revellers in the Big Top on Thursday evening, casting aside any doubts that the one time Culture Club icon still has the desire and calibre to dazzle when called upon.

Biffy Clyro were understandably the least heralded of the three main stage headliners and the least memorable to boot. Despite that fact, high-octane adaptations of “Black Chandelier” and “The Golden Rule” punctuated a breathless, well received set.

IOW Festival 2014 Dappy

Concluding the weekend’s top-line activity, Travis had the Big Top crammed for a superlative, affable gig that closed with the irksomely catchy “Why Does It Always Rain On Me?”

The folky Glaswegians have a reputation for bordering on vanilla, but gave a hell of a send-off to fans who poured out of the fields following a second enormous ovation at the denouement of their most distinctive release.

On a humorous note, the egotistical Dappy, formerly of N-Dubs, had his set curtailed in its relative infancy, officially for his increasingly colourful language, although in truth probably just because he’s Dappy and nobody wants to be subjected to more than a few minutes of his wannabe gangster antics… And ting.

Looking solely at the three acts with their names in the largest font on the poster, it would be easy to assume that this year’s Isle of Wight Festival was a flop.

It’s only when one scratches beneath the superficial that they realise the immense stature of that which lurked a little deeper.

Written by Dom Kureen

As a young rapscallion stranded on an Island, my time is split between writing, performing spoken word, wrestling alligators and delivering uplifting pep talks to hairdressers before they prune me. I meditate and wash daily when possible.

Isle of Wight Festival 2014 Highlights. Part One: Local Bands.

The Isle of Wight Festival kicked off the 2014 summer season of live music with a posturing, strutting cocktail which catered for everyone who entered Seaclose Park during the course of the four days. Dom Kureen and photographer Sophie Robinson were present to check it out.

Ellie Price of Signals

Following last year’s disappointing ticket sales and mixed feedback, Isle of Wight Festival promoter John Giddings knew that he had to flip a Royal Flush this time around in order to mend the reputation of a previously highly regarded event.

In 2014 Giddings and his fellow organisers got it right, providing a fully warranted spotlight for a burgeoning crop of local talent that is the most exciting in decades, whilst cramming the main stage headline slots and under card with an eclectic menu that surely had something to satiate even the airiest hipster.

Local Highlights

The “Platform One” and “Kashmir Cafe” stages in particular promoted the cream of Isle of Wight talent, allowing groups from the area pleasingly extensive exposure.

Fresh from their Bestival competition success, Ba.Dow hit the P1 stage three times over the course of the weekend, their catchy guitar riffs accompanied by Beth Ditto-esque vocal interpretations that resonated courtesy of lead singer/drummer Jodie Amos and ensured that they once again confirmed their status as one of the five most promising bands on the island.

Signals excelled in their final set of the weekend inside the Kashmir Cafe, despite front-woman Ellie Price suffering from a bout of laryngitis.

The four-piece, who have only recently returned from a successful UK tour, had the packed venue leaping around incessantly with a memorable rendition of the uber uplifting “Square Wheels” with bass guitarist Alex Vanblaere in his element within the crammed venue, upping his usual ferocity to compensate for Price’s enforced throaty reticence.

Ska practitioners The Ohmz engaged spectators with their customary high-tempo unpredictability and their place upon the “Life’s a Beach” stage was undoubtedly one of the booking masterstrokes of the entire festival.

Dan Duveaux
Dan Duveaux

Pleasurade disappointingly opted to call it a day, announcing they were set to go their separate ways following a conclusive gig at the festival.  It brought the curtain down on a four year stint that had gradually gained the talented quintet a decent following in local circles.

Their adieu wasn’t all sunshine and lounge chairs, with Adam Gaterell’s guitar refusing to play ball for the band’s send-off, fortunately he had a replacement in tow!

Others who stood out from the local acts were Duveaux who were booked to play a mammoth six times, yet still managed to attract hefty crowds until the end and Floella Grace, whose emotional recital left a lasting impression upon everyone who was there to enjoy it – she’s one to watch in the next couple of years.

On a broader level, Platform One and those who come from its conveyor belt have evolved massively during the past few years.

Where in the College’s infancy the output was diluted by a host of wannabe Nirvana tributes, there’s no doubt that the contemporary artists all have the potential and originality to thrive on grander stages.

This was the first Isle of Wight Festival that truly showcased the magnitude of local talent on offer, for that John Giddings and his motley crew should be commended.

Check back for part two, where Dom will be looking at the ‘big names’ who performed at the 2014 Isle of Wight Festival!

Written by Dom Kureen

As a young rapscallion stranded on an Island, my time is split between writing, performing spoken word, wrestling alligators and delivering uplifting pep talks to hairdressers before they prune me. I meditate and wash daily when possible.