Baps; we all admire them and we’re liars if we claim otherwise. Whether of the savoury or fleshy variety, there’s a diversity of shape and flavour fit to tantalise even the most discerning of palates.
The Ventnor Fringe festival gave curtain call to its final venue of 2016 with a show of rich imagination and tireless expression, courtesy of Lady Baps (Sarah Palette) and Unruly Scrumptious (Eljai Morais), collectively known as Unruly Baps.
A full throttle spectacle divided into seven segments, each containing frenzied farce, with the majority pulling in members of an appreciative audience (although nobody sat in the front row, perhaps wary of becoming part of the show.)
During the opening monologue Unruly Baps described what was set to unfold as “several tales told by two idiots”, as the duo bickered and adorned their bonces with the first of a throng of wigs utilised throughout the evening.
The inaugural fairy tale spoofed was Cinderella, which involved Unruly Scrumptious modernising the tale through an extensive and absorbing poem in an impressively legit northern twang.
This scene also gave Lady Baps an opportunity to exhibit her penchant for physical comedy; carrying the action element of the piece with relish, her facial expressions and change of tone brought life to the Cinderella story, with a final twist in the tale for good measure.
Keeping the pace brisk, a “feminist five minutes” called for a volunteer from the audience, but with nobody forthcoming, a man named ‘Liam’ was plucked from one of the back rows (he must have thought he’d be safe in the cheap seats!) He instantly got into the spirit of things with some sharp rebuttals as the ladies had their way with him… So to speak.
These brief fragments between the main action were an effective tool in ensuring proceedings flowed without the threat of a lull or crowd burnout.
More swift changeovers came into play before “Three fairy tales in an unspecified amount of time”, where Scrumptious played needy fall guy to her savvier sidekick, at one point being repeatedly sprayed in the face with water.
Additional volunteers were chosen, some more eager than others, as the regular breaking of the fourth wall guaranteed that patrons felt as if they could become part of the show at any given time. The fairy tales concluded with cackling laughter from the two ladies, who stared into space behind the audience with the sort of maniacal expressions usually reserved for American Idol contestants – it was reassuringly absurd in the most delectable way.
With the bar raised so high by these opening exchanges, the next couple of chapters fell a little flatter.
A tribute segway was short and sweet, but didn’t add an awful lot to the production, save for a few audio clips of David Bowie, Prince et al. A black and white silent movie of Rumpelstiltskin followed – a fantastic idea in theory as a deviation within a live show, but it was a tad too lengthy and one paced to be considered unblemished in execution.
Happily the denouement offered a hilarious rendering of Little Red Riding Hood, where the Grandmother was revealed as a slutty former squeeze of the wolf. It brought the house down and received a much deserved standing ovation to close the show.
Both performers exhibited an exquisite range of acting dexterity throughout the evening, with the unscripted aura a testament to not only their ability as actors, but also the skill to keep an audience captivated at the end of a long week at the fringe. This was a worthy headliner.
A superb show, performed and written by two very talented women. A couple of scenes dipped when held against the lofty standard that book ended the night, but on the whole it was memorable for all the right reasons.
To find out more about the show and Unruly Baps in general click the links below!